PhDr. Lenka Poláková
She
has
dedicated
nearly
her
entire
professional
career
to
Czech
Television,
where
she
began
as
a
news
editor,
later
working
screenwriter,
author
of
investigative,
social,
and
historical
documentaries,
dramaturge,
and
eventually
chief
dramaturge.
Since
2012,
she
has
served
as
Creative
Producer
of
the
Public
Affairs
and
Documentary
Production
Group,
which
continuously
focuses
on
major
phenomena
of
both
the
present
and
the
past,
as
well
on
social
issues,
natural
sciences,
and
cultural
heritage,
in
traditional
and
cross-genre
formats.
In
stand-alone
documentaries,
she
favors
a
critical
reflection
of
history
and
contemporary
society,
explores
prominent
cultural
and
public
figures,
and
actively
engages
with
environmental
themes.
In
documentary
series,
she
concentrates
significant
historical
personalities
and
on
the
promotion
of
both
physical
and
mental
health,
while
also
placing
consistent
emphasis
on
the
exploration
of
important
Czech
landmarks
and
natural
heritage.
She
is
likewise
involved
in
international
co-productions
(e.g.,
series
Blue
Blood,
Hidden
Gems,
Infiltration,
Treasures
of
Our
Landscape,
The
Czech
Report
on
the
Great
War,
Life
with
Death,
World
Divided,
Holiday
in
the
Age
of
Steam,
Legion
100,
How
to
Build
a
Good
School,
Born
in
1918,
The
Traces
of
Jára
Cimrman,
Underground
Phenomenon,
Extraordinary
Lives,
We,
the
Citizens
of
the
Protectorate;
well
as
stand-alone
documentaries
such
as
Stream
of
Time,
Born
for
Africa,
Steel
Sharks,
Kovy
Explores
History,
I
Have
Not
Yet
Smoked
My
Last
Cigarillo,
What
a
Lie
Can
Do,
Reporters,
Who’s
Acting
Foolish
Here,
etc.).
She
has
also
been
a
long-standing
supporter
amateur
film,
repeatedly
serving
as
a
jury
member
at
numerous
showcases
–
Czech
Visions,
Czech
Video
Salon,
Rychnov
Eight,
Vysokov
Rooster,
Czech
Sun,
among
others.
Additionally,
she has served on juries at international festivals such as Prix Europe and Prix Italia.
Marek Kuboš
He
graduated
from
the
Academy
of
Performing
Arts
in
Bratislava,
Department
of
Documentary
Arts,
with
a
specialization
in
Directing
and
Cinematography
of
Documentary
Films.
He
belongs
to
the
called
“Generation
’90,”
a
distinguished
group
of
filmmakers
studied
at
the
academy
during
the
1990s.
His
documentary
has
earned
him
numerous
awards
both
in
Slovakia
internationally.
Notable
films
include
Cesta
fotografa,
Hlas
98,
St.
II.
tr.
–
Kraľovany,
Taká
malá
propaganda,
and
Posledný
autoportrét.
Among
his
accolades
are
the
IGRIC
Prize
1996
Screenplay
and
Direction,
the
Main
Prize
for
Student
Films
in
“On the Road” category at
ART
Film,
the
“Golden
Rail”
Grand
Prize
at
the
International
Festival
of
Railway
Films
in
Paris,
Special
Recognition
at
MEZI
MOŘI
–
MFDF
Jihlava,
the
in
a
Net
Award
(Slovak
National
Film
Award)
for
Best
Documentary,
the
Special
Jury
Prize
Art
Film
Fest
Košice,
and
ELBE
DOCK
–
Best
Central
European
Documentary
Debut.
He
collaborated
on
numerous
television
programs
and
documentary
productions
with
Slovak
broadcasters.
His
work
also
spans
commercials
and
music
videos
with
renowned
musical
groups.
In
addition,
he
brings
extensive
experience
in
amateur
filmmaking,
serving
as
a
member for various film competitions.
Doc. Mgr. ArtD. Peter Dimitrov
Peter
Dimitrov
studied
Law
and
Film
Directing
at
the
Academy
Performing
Arts
in
Bratislava
(Doc.
Mgr.
ArtD).
His
work
primarily
focuses
on
documentary
filmmaking,
non-fiction
literature,
projects
with
social
and
historical
themes,
alongside
pedagogical
activities.
His
versatile
career
also
spans
commercials,
music
videos,
art
films,
and
other
cinematic
works
across
multiple
genres.
Central
to
his
oeuvre
are
authorial
films,
including
Služobníci
a
milionári,
Ten
istý
svet,
Missa
Danubia,
Jas
originál,
Vízie
z
inferna,
Ten
tet,
C’est
la
vie,
Čas
grimás,
and
other
personal
films.
His
filmography
also encompasses several documentary series. He has received numerous
national
international
awards,
including
recognition
at
the
24th
FIFA
Festival
du
Film
sur
(Montreal),
the
International
Critics’
Prize
Don
Quijote,
three
awards
at
Internacional
Telč,
the
Art
Film
Festival
Trenčianske
Teplice,
Etno
Film
Čatca,
the
SFZ
USTT
Award,
the
Literary
Fund
Award.
His
films
have
been
showcased
at
festivals
such
as
Carmel
Art
(California),
Prix
Europa
(Berlin),
TV
Fest
Cannes,
Stalker
(Moscow),
as
well
as
in
Buenos
Aires,
New
York,
Jerusalem,
Balchik,
Vienna,
Sankt
Pauli,
and
more.
He
is
the
author
of
publication
The
Secret
of
Film
Time
and
recently
published
a
work
of
fiction
titled
Dog
the butcher shop.
Mgr. Michal Vrbňák
He
graduated
from
the
Faculty
of
Education
in
Nitra
and
later
the
Academy
of
Performing
Arts
in
Bratislava,
specializing
in
Editing.
He
works
professionally
as
a
film
and
television
editor
has
had
a
long-standing
career
at
Slovak
Television,
where
edited
artistic
trailers,
documentaries,
children’s
and
youth
programs,
as
well
as
specialized
journalistic
content,
and
contributed
to
live
broadcast
editing.
He
has
worked
externally
independent
documentaries
and
television
programs
for
Markíza
and
Joj
TV,
where
he
helped
develop
the
format
for
the
highly
successful
show
Na
Chalupe
and
served
as
its
editor
for
many
years.
He
has
been
actively
involved
in
the
amateur
film
scene
since
initially as a methodologist in visual arts, film,
and
photography,
and
later
as
a
jury
member
for
amateur
competitions
and
a
lecturer
in
film
workshops
focused
on
editing.
Currently,
he
is
engaged
in
a
project
to
digitize
national
heritage
at
the
Slovak
Film
Institute
while
continuing
external
work
in
film
picture editing.
Ing. MgA. Roman Vávra
He
is
a
professional
director
of
both
feature
and
documentary
Since
his
studies
at
FAMU
in
the
early
1990s,
he
has
collaborated
extensively
with
Czech
Television.
His
feature
films
include
chytneš
v
žitě
and
Čert
ví
proč,
while
his
notable
documentaries
include
Bitva
o
život
(co-directed
with
M.
Janek
and
V.
Janeček),
Ivan
Havel
–
Pozdní
sběr,
Jako
bychom
dnes
zemřít
měli
(Josef
Toufar),
Klackovitý
architekt
Martin
Rajniš,
Když
já
tak
rád
diriguju
(Jiří
Bělohlávek),
Svět
podle
Muchy,
Kouzelný
kopec,
and
Případ
Modrý.
He
has
also
served
as
a
lecturer
in
film
directing
and
actively
engaged
in
the
professional
association
ARAS,
where
held the position of chairman for several years.